Classic English Mystery and Detective Stories Page 26

  What could I do? My poor granny's legacy was valuable and dear to me, but after all a thousand guineas are not to be had every day. "Be it a bargain," said I. "Shall we have a glass of wine on it?" says Pinto; and to this proposal I also unwillingly acceded, reminding him, by the way, that he had not yet told me the story of the headless man.

  "Your poor gr-ndm-ther was right just now, when she said she was not my first love. 'Twas one of those banale expressions" (here Mr. P. blushed once more) "which we use to women. We tell each she is our first passion. They reply with a similar illusory formula. No man is any woman's first love; no woman any man's. We are in love in our nurse's arms, and women coquette with their eyes before their tongue can form a word. How could your lovely relative love me? I was far, far too old for her. I am older than I look. I am so old that you would not believe my age were I to tell you. I have loved many and many a woman before your relative. It has not always been fortunate for them to love me. Ah, Sophronia! Round the dreadful circus where you fell, and whence I was dragged corpselike by the heels, there sat multitudes more savage than the lions which mangled your sweet form! Ah, tenez! when we marched to the terrible stake together at Valladolid—the Protestant and the J— But away with memory! Boy! it was happy for thy grandam that she loved me not.

  "During that strange period," he went on, "when the teeming Time was great with the revolution that was speedily to be born, I was on a mission in Paris with my excellent, my maligned friend, Cagliostro. Mesmer was one of our band. I seemed to occupy but an obscure rank in it: though, as you know, in secret societies the humble man may be a chief and director—the ostensible leader but a puppet moved by unseen hands. Never mind who was chief, or who was second. Never mind my age. It boots not to tell it: why shall I expose myself to your scornful incredulity—or reply to your questions in words that are familiar to you, but which you cannot understand? Words are symbols of things which you know, or of things which you don't know. If you don't know them, to speak is idle." (Here I confess Mr. P. spoke for exactly thirty-eight minutes, about physics, metaphysics, language, the origin and destiny of man, during which time I was rather bored, and to relieve my ennui, drank a half glass or so of wine.) "LOVE, friend, is the fountain of youth! It may not happen to me once— once in an age: but when I love then I am young. I loved when I was in Paris. Bathilde, Bathilde, I loved thee—ah, how fondly! Wine, I say, more wine! Love is ever young. I was a boy at the little feet of Bathilde de Bechamel—the fair, the fond, the fickle, ah, the false!" The strange old man's agony was here really terrific, and he showed himself much more agitated than when he had been speaking about my gr-ndm-th-r.

  "I thought Blanche might love me. I could speak to her in the language of all countries, and tell her the lore of all ages. I could trace the nursery legends which she loved up to their Sanscrit source, and whisper to her the darkling mysteries of the Egyptian Magi. I could chant for her the wild chorus that rang in the disheveled Eleusinian revel: I could tell her and I would, the watchword never known but to one woman, the Saban Queen, which Hiram breathed in the abysmal ear of Solomon—You don't attend. Psha! you have drunk too much wine!" Perhaps I may as well own that I was NOT attending, for he had been carrying on for about fifty-seven minutes; and I don't like a man to have ALL the talk to himself.

  "Blanche de Bechamel was wild, then, about this secret of Masonry. In early, early days I loved, I married a girl fair as Blanche, who, too, was tormented by curiosity, who, too, would peep into my closet, into the only secret guarded from her. A dreadful fate befell poor Fatima. An ACCIDENT shortened her life. Poor thing! she had a foolish sister who urged her on. I always told her to beware of Ann. She died. They said her brothers killed me. A gross falsehood. AM I dead? If I were, could I pledge you in this wine?"

  "Was your name," I asked, quite bewildered, "was your name, pray, then, ever Blueb—?"

  "Hush! the waiter will overhear you. Methought we were speaking of Blanche de Bechamel. I loved her, young man. My pearls, and diamonds, and treasure, my wit, my wisdom, my passion, I flung them all into the child's lap. I was a fool. Was strong Samson not as weak as I? Was Solomon the Wise much better when Balkis wheedled him? I said to the king—But enough of that, I spake of Blanche de Bechamel.

  "Curiosity was the poor child's foible. I could see, as I talked to her, that her thoughts were elsewhere (as yours, my friend, have been absent once or twice to-night). To know the secret of Masonry was the wretched child's mad desire. With a thousand wiles, smiles, caresses, she strove to coax it from me—from ME—ha! ha!

  "I had an apprentice—the son of a dear friend, who died by my side at Rossbach, when Soubise, with whose army I happened to be, suffered a dreadful defeat for neglecting my advice. The Young Chevalier Goby de Mouchy was glad enough to serve as my clerk, and help in some chemical experiments in which I was engaged with my friend Dr. Mesmer. Bathilde saw this young man. Since women were, has it not been their business to smile and deceive, to fondle and lure? Away! From the very first it has been so!" And as my companion spoke, he looked as wicked as the serpent that coiled round the tree, and hissed a poisoned counsel to the first woman.

  "One evening I went, as was my wont, to see Blanche. She was radiant: she was wild with spirits: a saucy triumph blazed in her blue eyes. She talked, she rattled in her childish way. She uttered, in the course of her rhapsody, a hint—an intimation—so terrible that the truth flashed across me in a moment. Did I ask her? She would lie to me. But I knew how to make falsehood impossible. And I ordered her to go to sleep."

  At this moment the clock (after its previous convulsions) sounded TWELVE. And as the new Editor[10] of the Cornhill Magazine—and HE, I promise you, won't stand any nonsense—will only allow seven pages, I am obliged to leave off at THE VERY MOST INTERESTING POINT OF THE STORY.

  III

  "Are you of our fraternity? I see you are not. The secret which Mademoiselle de Bechamel confided to me in her mad triumph and wild hoyden spirits—she was but a child, poor thing, poor thing, scarce fifteen;—but I love them young—a folly not unusual with the old!" (Here Mr. Pinto thrust his knuckles into his hollow eyes; and, I am sorry to say, so little regardful was he of personal cleanliness, that his tears made streaks of white over his guarled dark hands.) "Ah, at fifteen, poor child, thy fate was terrible! Go to! It is not good to love me, friend. They prosper not who do. I divine you. You need not say what you are thinking—"

  In truth, I was thinking, if girls fall in love with this sallow, hook-nosed, glass-eyed, wooden-legged, dirty, hideous old man, with the sham teeth, they have a queer taste. THAT is what I was thinking.

  "Jack Wilkes said the handsomest man in London had but half an hour's start of him. And, without vanity, I am scarcely uglier than Jack Wilkes. We were members of the same club at Medenham Abbey, Jack and I, and had many a merry night together. Well, sir, I—Mary of Scotland knew me but as a little hunchbacked music master; and yet, and yet, I think she was not indifferent to her David Riz—and SHE came to misfortune. They all do—they all do!"

  "Sir, you are wandering from your point!" I said, with some severity. For, really, for this old humbug to hint that he had been the baboon who frightened the club at Medenham, that he had been in the Inquisition at Valladolid—that under the name of D. Riz, as he called it, he had known the lovely Queen of Scots—was a LITTLE too much. "Sir," then I said, "you were speaking about a Miss Bechamel. I really have not time to hear all of your biography."

  "Faith, the good wine gets into my head." (I should think so, the old toper! Four bottles all but two glasses.) "To return to poor Blanche. As I sat laughing, joking with her, she let slip a word, a little word, which filled me with dismay. Some one had told her a part of the Secret—the secret which has been divulged scarce thrice in three thousand years—the Secret of the Freemasons. Do you know what happens to those uninitiate who learn that secret? to those wretched men, the initiate who reveal it?"

  As Pinto spoke to me, he looked through and t
hrough me with his horrible piercing glance, so that I sat quite uneasily on my bench. He continued: "Did I question her awake? I knew she would lie to me. Poor child! I loved her no less because I did not believe a word she said. I loved her blue eye, her golden hair, her delicious voice, that was true in song, though when she spoke, false as Eblis! You are aware that I possess in rather a remarkable degree what we have agreed to call the mesmeric power. I set the unhappy girl to sleep. THEN she was obliged to tell me all. It was as I had surmised. Goby de Mouchy, my wretched, besotted miserable secretary, in his visits to the chateau of the Marquis de Bechamel, who was one of our society, had seen Blanche. I suppose it was because she had been warned that he was worthless, and poor, artful and a coward, she loved him. She wormed out of the besotted wretch the secrets of our Order. 'Did he tell you the NUMBER ONE?' I asked.

  "She said, 'Yes.'

  "'Did he,' I further inquired, 'tell you the—'

  "'Oh, don't ask me, don't ask me!' she said, writhing on the sofa, where she lay in the presence of the Marquis de Bechamel, her most unhappy father. Poor Bechamel, poor Bechamel! How pale he looked as I spoke! 'Did he tell you,' I repeated with a dreadful calm, 'the NUMBER TWO?' She said, 'Yes.'

  "The poor old marquis rose up, and clasping his hands, fell on his knees before Count Cagl— Bah! I went by a different name then. Vat's in a name? Dat vich ye call a Rosicrucian by any other name vil smell as sveet. 'Monsieur,' he said, 'I am old—I am rich. I have five hundred thousand livres of rentes in Picardy. I have half as much in Artois. I have two hundred and eighty thousand on the Grand Livre. I am promised by my Sovereign a dukedom and his orders with a reversion to my heir. I am a Grandee of Spain of the First Class, and Duke of Volovento. Take my titles, my ready money, my life, my honor, everything I have in the world, but don't ask the THIRD QUESTION.'

  "'Godfroid de Bouillon, Comte de Bechamel, Grandee of Spain and Prince of Volovento, in our Assembly what was the oath you swore?' The old man writhed as he remembered its terrific purport.

  "Though my heart was racked with agony, and I would have died, aye, cheerfully" (died, indeed, as if THAT were a penalty!) "to spare yonder lovely child a pang, I said to her calmly, 'Blanche de Bechamel, did Goby de Mouchy tell you secret NUMBER THREE?'

  "She whispered a oui that was quite faint, faint and small. But her poor father fell in convulsions at her feet.

  "She died suddenly that night. Did I not tell you those I love come to no good? When General Bonaparte crossed the Saint Bernard, he saw in the convent an old monk with a white beard, wandering about the corridors, cheerful and rather stout, but mad—mad as a March hare. 'General,' I said to him, 'did you ever see that face before?' He had not. He had not mingled much with the higher classes of our society before the Revolution. I knew the poor old man well enough; he was the last of a noble race, and I loved his child."

  "And did she die by—?"

  "Man! did I say so? Do I whisper the secrets of the Vehmgericht? I say she died that night: and he—he, the heartless, the villain, the betrayer,—you saw him seated in yonder curiosity shop, by yonder guillotine, with his scoundrelly head in his lap.

  "You saw how slight that instrument was? It was one of the first which Guillotin made, and which he showed to private friends in a hangar in the Rue Picpus, where he lived. The invention created some little conversation among scientific men at the time, though I remember a machine in Edinburgh of a very similar construction, two hundred—well, many, many years ago—and at a breakfast which Guillotin gave he showed us the instrument, and much talk arose among us as to whether people suffered under it.

  "And now I must tell you what befell the traitor who had caused all this suffering. Did he know that the poor child's death was a SENTENCE? He felt a cowardly satisfaction that with her was gone the secret of his treason. Then he began to doubt. I had MEANS to penetrate all his thoughts, as well as to know his acts. Then he became a slave to a horrible fear. He fled in abject terror to a convent. They still existed in Paris; and behind the walls of Jacobins the wretch thought himself secure. Poor fool! I had but to set one of my somnambulists to sleep. Her spirit went forth and spied the shuddering wretch in his cell. She described the street, the gate, the convent, the very dress which he wore, and which you saw to-day.

  "And now THIS is what happened. In his chamber in the Rue St. Honore, at Paris, sat a man ALONE—a man who has been maligned, a man who has been called a knave and charlatan, a man who has been persecuted even to the death, it is said, in Roman Inquisitions, forsooth, and elsewhere. Ha! ha! A man who has a mighty will.

  "And looking toward the Jacobins Convent (of which, from his chamber, he could see the spires and trees), this man WILLED. And it was not yet dawn. And he willed; and one who was lying in his cell in the convent of Jacobins, awake and shuddering with terror for a crime which he had committed, fell asleep.

  "But though he was asleep his eyes were open.

  "And after tossing and writhing, and clinging to the pallet, and saying 'No, I will not go,' he rose up and donned his clothes—a gray coat, a vest of white pique, black satin small-clothes, ribbed silk stockings, and a white stock with a steel buckle; and he arranged his hair, and he tied his queue, all the while being in that strange somnolence which walks, which moves, which FLIES sometimes, which sees, which is indifferent to pain, which OBEYS. And he put on his hat, and he went forth from his cell: and though the dawn was not yet, he trod the corridors as seeing them. And he passed into the cloister, and then into the garden where lie the ancient dead. And he came to the wicket, which Brother Jerome was opening just at the dawning. And the crowd was already waiting with their cans and bowls to receive the alms of the good brethren.

  "And he passed through the crowd and went on his way, and the few people then abroad who marked him, said, 'Tiens! How very odd he looks! He looks like a man walking in his sleep!' This was said by various persons:—

  "By milk women, with their cans and carts, coming into the town.

  "By roysterers who had been drinking at the taverns of the Barrier, for it was Mid-Lent.

  "By the sergeants of the watch, who eyed him sternly as he passed near their halberds.

  "But he passed on unmoved by their halberds,

  "Unmoved by the cries of the roysterers,

  "By the market women coming with their milk and eggs.

  "He walked through the Rue St. Honore, I say:—

  "By the Rue Rambuteau,

  "By the Rue St. Antoine,

  "By the King's Chateau of the Bastille,

  "By the Faubourg St. Antoine.

  "And he came to No. 29 in the Rue Picpus—a house which then stood between a court and garden—

  "That is, there was a building of one story, with a great coach door.

  "Then there was a court, around which were stables, coach-houses, offices.

  "Then there was a house—a two-storied house, with a perron in front.

  "Behind the house was a garden—a garden of two hundred and fifty French feet in length.

  "And as one hundred feet of France equal one hundred and six feet of England, this garden, my friend, equaled exactly two hundred and sixty-five feet of British measure.

  "In the center of the garden was a fountain and a statue—or, to speak more correctly, two statues. One was recumbent,—a man. Over him, saber in hand, stood a Woman.

  "The man was Olofernes. The woman was Judith. From the head, from the trunk, the water gushed. It was the taste of the doctor:—was it not a droll of taste?

  "At the end of the garden was the doctor's cabinet of study. My faith, a singular cabinet, and singular pictures!—

  "Decapitation of Charles Premier at Vitehall.

  "Decapitation of Montrose at Edimbourg.

  "Decapitation of Cinq Mars. When I tell you that he was a man of taste, charming!

  "Through this garden, by these statues, up these stairs, went the pale figure of him who, the porter said, knew the way of the house. He did. Turning neither
right nor left, he seemed to walk THROUGH the statues, the obstacles, the flower beds, the stairs, the door, the tables, the chairs.

  "In the corner of the room was THAT INSTRUMENT, which Guillotin had just invented and perfected. One day he was to lay his own head under his own ax. Peace be to his name! With him I deal not!

  "In a frame of mahogany, neatly worked, was a board with a half circle in it, over which another board fitted. Above was a heavy ax, which fell—you know how. It was held up by a rope, and when this rope was untied, or cut, the steel fell.

  "To the story which I now have to relate, you may give credence, or not, as you will. The sleeping man went up to that instrument.

  "He laid his head in it, asleep."

  "Asleep?"

  "He then took a little penknife out of the pocket of his white dimity waistcoat.

  "He cut the rope asleep.

  "The ax descended on the head of the traitor and villain. The notch in it was made by the steel buckle of his stock, which was cut through.

  "A strange legend has got abroad that after the deed was done, the figure rose, took the head from the basket, walked forth through the garden, and by the screaming porters at the gate, and went and laid itself down at the Morgue. But for this I will not vouch. Only of this be sure. 'There are more things in heaven and earth, Horatio, than are dreamed of in your philosophy.' More and more the light peeps through the chinks. Soon, amidst music ravishing, the curtain will rise, and the glorious scene be displayed. Adieu! Remember me. Ha! 'tis dawn," Pinto said. And he was gone.

  I am ashamed to say that my first movement was to clutch the check which he had left with me, and which I was determined to present the very moment the bank opened. I know the importance of these things, and that men change their mind sometimes. I sprang through the streets to the great banking house of Manasseh in Duke Street. It seemed to me as if I actually flew as I walked. As the clock struck ten I was at the counter and laid down my check.